Monday 27 February 2023

Ruin at Edlingham Castle by Owen Townend

 


At the end of our weekend away, we came upon Edlingham Castle. We’d passed by the English Heritage sign a few times but it took us till Sunday to visit the glorious ruin.

            Arriving at the main stone path, I realised that this encompassed the full castle grounds. Passing between the stubby walls of the barbican, I saw her reach out and run her fingers across the top, scattering gravel dust. I didn’t remark on this. We were the only ones on-site.

            I shielded my eyes from the sun as I doubled back on the information panel. She kept walking through the courtyard, pulling out her camera. Apparently Edlingham Castle began life as a normal residence, later fortified as the English meddled with Scottish royalty. Three hundred years of social disruption, outright destruction and border raiding. Glancing up, I saw her skid over stray pebbles.

            She was snapping photos of what remained of the solar tower. You couldn’t see much front-on but I knew she was testing how light moved through the windows and around the full height of the roofless structure. While she sidestepped around it in a careful circle, I settled among what the panel called ‘the lodgings’. One of the corners had been eroded just wide enough for me to sit in.

            The view it afforded was, of course, a stretch of scattered aged stone but I enjoyed the way the midsummer light brought out the white among the grey. I searched around for other visitors but noticed only Red Angus cows nudging each other away from wire fences. As I sat there alone, I shut my eyes and focused on the sharp proximity of hewn brick around my lightly shivering knees. I quietened my breath long enough to hear the wind rustle past. For a moment I couldn’t even hear cars zip by on the motorway ahead.

            At last I blinked till I could perceive the faint blue of the sky above. The occasional cloud that curled and uncurled overhead cast brief shadows on the kitchen range to the east. I wondered how soon this would darken me.

            Hoisting myself out of the gap, I crossed the weedy courtyard to move anticlockwise around the sun tower. The intention was to catch her out, maybe startle her at the moment of an ideal shot. Still I was distracted by the thin section of messy brickwork on my side of the tower. A small red amassment of rough curved stones wedged between smooth yellowed rectangles. The design, if that was indeed what it was, baffled me so much that I had to reach out and check that the jutting rocks weren’t actually movable. Fortunately for me and British History, they remained firm.

            Then I broke away from it all and was halfway round the tower before I saw her. She was leaning at roughly the same angle as the left wall was coming away from the rest. The way she lined up her shot, it seemed she was most interested in the black metal bars that were keeping the walls joined together. These were high overhead and I felt a shortness of breath as I imagined everything tumbling on both of us.

            At last she saw me. We exchanged nervous smiles. Pointing my thumb over my shoulder, I led her to a bench that was in the middle of the tower’s southern wall. She put away her camera and joined me in sitting with our backs to the makeshift fortress. Holding hands, it felt like we were propping up the whole structure with our tired lonely shoulders.

Monday 13 February 2023

Five Elements by Anna Kingston

 


Lightning strikes the maidenhair tree

Sizzling electricity arcs

To dried out branches, now fully ablaze,

Falling to earth in a pile of sparks.

 

The smouldering embers deep in the forest

Sink beneath the earth’s floor.

They flow like a river seeking its source,

Bathing the rocks and releasing the ore.

 

The ore is now found, it is worked, it is wrought

By hands of men tilling the earth.

The metal is forged and formed and bent -

A cup, a jug, man knows its worth.

 

A maidenhair sapling grows alone, by the house

All tidy and trimmed, but dying of thirst.

A girl brings a jug made of ore from the ash.

She’s thirsty as well, but the tree must come first.

 

The tree’s now much taller, no longer alone,

The forest’s not silent, sounds rending the air.

Men still do their digging, they burn, and they drill,

But they’re also, finally, learning to share.

 

The elements weave an ancient design,

Together, apart, rebirth, and then death.

Nothing is new, yet everything is,

Time standing still, then taking a breath.

 

 

© Anna M. Kingston 2023