Memories of an Encounter with a Very Large Animal by Sara Burgess
The creamy, lace-edged parasol sways in
time with Nanny’s languid gait. The gentle creak of the perambulator springs
beneath my nest of cotton summer blankets, lulls me to a state resembling a coma.
Overhead, the occasional puff of cloud or cluster of leaves on a branch
glitters in the sunlight against the aventurine blue sky. This is all that marks
our slow passage along some promenade in the Zoological and Botanic Gardens of
the town Pappa had set us in that year.
I am at that age where the extensions of my
own body amuse me. A pink, dimpled foot poking out from the froth of my dress
extracts a charming chuckle, my leg kicking at the air creates merry mirth, and
my pudgy arms collaborating in some melodramatic minuet before my face, invite
hales of laughter. Then in an instant,
my world goes dark. As unease lightly treads my skin, I can hear Pappa’s voice
somewhere off, and the chocolate brown aroma of pipe tobacco, that evermore
induces me to sickness, tints the air.
I can feel something pressing against my
leg as a wall of grey, wrinkled flesh obliterates my small horizon. A beady,
amber coloured eye set in layers of charcoal ruches, sweeps across my vista. The
stench of mud and off hay and a rough grunting sound. The flash of an ivory
cutlass, and a rubbery snake like a gnarled limb torn from the trees, pushes
against my thigh, snuffles my stomach, tries to nip my chest with its
two-fingered tip. Screams rent the air. I am locked in a breathless paroxysm of
fear. I am a stiff doll as Pappa wrenches me free of the invading monster, and
men appear as if from nowhere to beat it away with sticks. An enraged
trumpeting slashes the hysterical cacophony of women, followed by a low
trilling, a rumbling, as the outraged animal lumbers off and picks up to a
canter with another great roar, as it charges for the canopy of the arboretum.
Dorothy, my Nanny, is a quivering wreck
needing comfort herself, not least for the summary and public dismissal that
swiftly follows this shock to her usually sturdy constitution, and Mamma, a
spitting hydra, lobs balls of venom at anyone within earshot. As the veritable
victim of the piece I am thankfully lauded for still being alive, although now
a blubbering, slippery concoction of mucous and salt water, barely able to
snatch a breath between my piteous wails. I am stroked and comforted, crushed
and cuddled, then snatched away to nuzzle in Mamma’s unfamiliar breast as my
beloved Nanny is taken away never to be spoken of again.
My father’s singular desire was to own one
of every animal that walked the Earth. As a self-styled naturalist, one of a
growing number in England at the turn of the century, I often wondered if he
valued them more than his own family. Surely we wouldn’t have been pursued to
shame and penury, nor Mamma to an early grave, had he been driven by a less
indulgent pursuit. But driven he was, and the story of that fateful day, whose
details were supplied to me regularly for some time thereafter, remains
imprinted on my memory as cleanly as the copperplate enclosure plaque bearing
the name of its proboscidean protagonist; Kim.
Animals fill my earliest memories, many of
them stuffed and set in extravagant mahogany boxes with dreamy scenarios
painted inside to give the illusion of an airy outdoors. In any of our houses
there are always layers of shiny, carapaced insects and jewel-coloured
butterflies pinned to boards, which slide into large mahogany chests of drawers.
Outside, there are outhouses filled with cawing tropical birds, that never
survive our dour winters, only to provide feathers for ladies’ hats or macabre
trophies for Pappa’s cronies.
When I first met Kim, we lived in a house
on the Great Western Terrace not far from Kibble Crystal Art Palace in Glasgow.
She was kept by a Negro gentleman called John Aaron. I was under the illusion
that the great glass houses belonged to my father, at least that’s what he told
me, his dreams of grandeur being so effluent. Until that day my young life was sheltered
under its huge glass parasol and my dreams were peopled by alabaster statues
against a backdrop of huge exotic ferns and rubber leafed flora.
It was many years later that I learnt that
my father was no good with money, and it was that which inspired our many moves
in his pursuit of his zoological dream alongside flight from his creditors. We
removed to Thorner near Leeds not long after my first encounter with Kim, to a
lovely house called Ashfield Lodge, this time kept thankfully free of stuffed
and pinned creatures as Mamma finally put her expensively shod foot down about
the interior decor. Pappa would still hold forth to any who would listen on such
topics as The Plight of the Invertebrate
in Industrial Britain, or How to
Cultivate an Effective Herbarium, although I was beginning to feel a little
sorry for the animals, never more beautiful in stapled and pinned decay than in
life. It must have been some ten years between the heated discussions with
Mamma and the many flights to diverse hostelries in the area that the idea was
borne for his own Zoological gardens in nearby Halifax...
A marvelously vivid piece of writing. The choice of words creates both image and character.
ReplyDeleteAn interesting piece full of vibrant imagery.
ReplyDeleteA read of elephantine talent! Well done, Sara!
ReplyDelete(This is Owen, by the way)
Great writing - when can we expect the next instalment?
ReplyDelete