Trying a Line by Owen Townend
In prose, I constantly admire a writer who is able to drop poetic sentences like jewels. Sometimes these aren’t entirely appropriate and may even slow plot momentum but they are no less beautiful for it. It’s the literary equivalent of stopping to smell the roses. However I’m not particularly adept at writing such stunning imagery, at least not for longer stories. When it comes to my more plot-focused fiction, each sentence serves to keep things moving. They’re often short, simple and riddled with inoffensive cliché. It’s in my character-focused fiction where I find the time to make a moment pretty and quotable. However this doesn’t always work, usually because I’m trying too hard to catch the eye. My most egregious offences include drawn-out metaphors that don’t comfortably a...